A Comparison of the Heat and Cold Imagery Used in Woman at Point Zero a

A Comparison of the Heat and Cold Imagery Used in woman at manoeuver correct and Thousand Cranes In the books char at aspire Zero by Nawal El Saadawi, and Thousand Cranes by Yasunari Kawabata, both(prenominal) authors commit various forms of mental rolery that reoccur throughout the works. These images atomic number 18 used non to be taken for their literal meanings, but instead to portray a deeper sense or feeling that may occur several quantify in the book.One type of imagery that both Saadawi and Kawabata use in their works is heat and stale imagery. In the works, Woman at Point Zero and Thousand Cranes, Nawal El Saadawi and Yasunari Kawabata each use heat and frigidness imagery to portray the same feelings of love and fear and /or the overlook at that placeof. In both works, the authors use heat and moth-eaten imagery in order to portray the mien and/or lack of love in three different forms. These three forms of love that are illustrated through the use of heat and parky imagery are protection, consolation, and intimacy. Heat and ice-cold imagery is used repeatedly in both works to provide a feeling of love in the form of protection and protective cover, usually having the presence of heat or warmth representing a feeling of protection and security, and the absence seizure of heat representing a lack of security or protection. In the adjacent lines from Kawabatas Thousand Cranes, it is a memory of Mrs. Ota that provides Kikuji a sense of security during a conversation with Fumiko Mrs. Otas warmth came over him like warm water. She had gently surrendered everything he remembered, and he had felt secure (Kawabata 36). In Woman at Point Zero, Saadawi uses the warmth of Firdaus uncles fortification as an image for love in the form of protection in the following lines During the cold winter night, I curled up in my uncles arms like a baby in its womb. We drew warmth from our concentration (Saadawi 21). This passage provides an e ven greater sense of protection through Saadawis use of the simile, like a baby in its womb (21). The secondment form of love expressed through the use of heat and cold imagery in both works is comfort. In Woman at Point Zero, heat is used in order to provide comfort to Firdaus who is shivering with cold and soaked in rain (63). The third and terminal form of love expressed through the use of heat and cold imagery in Thousand Cranes and Woman at Point Zero is that of intimate relations. It is f... ...ng used simultaneously with the cold imagery. Both in the ascendent of the book when she first sits down to speak with Firdaus and when she is about to get up, Saadawi refers to there being a coldness which did not reach my body, and says, It was the cold of the sea in a dream. I swam through its wet. I was bare-ass and knew not how to swim. But I neither felt its cold, nor drowned in its waters (107). Perhaps after analyzing these two matching passages, one could make a c laim that we must first humble ourselves in order to bend insensitive to the coldness of this world. In the end, whether it is protection, comfort, intimacy, uneasiness, or death that Nawal El Saadawi and Yasunari Kawabata are portraying through their usage of heat and cold imagery in Woman at Point Zero and Thousand Cranes, we can advantageously see that both authors use heat and cold imagery as the dominant reoccurring literary device to portray feelings of love and fear and/or the lack thereof.BibliographyKawabata, Yasunari. Thousand Cranes. Trans. Edward G. Seidensticker. Vintage Books New York, 1996.Saadawi, Nawal El. Woman at Point Zero. Trans. Sherif Hetata. Zed Books London, 1983.