Creativity Essay -- Technology Art Papers

CreativityThe walls of the Louvre atomic number 18 covered with elegant masterpieces, widely recognized as some of the most treasured, creative whole kit known to man. The unique stroke of a brush or the layering of tonality can distinguish these geniuses from the masses. Despite the ability to label these pieces of art as especially creative, it remains unclear how whiz can truly throw away the defining characteristics of creativity. This faculty is commonly viewed as intangible, as a luminousness of creativity, or, a flash of creativity. This phenomenon, which lies at the foundation of our artistic culture, eludes our current clutch pedal of understanding. For some, creativity rests within our serviceman nature as an integral sort of our being, for others, it may emerge from the great mechanical complexity of our brains, or the sulfur of the universe. In recent years there have also emerged visual and literary works by computers which some experts believe to have a cre ative nature. This controversial idea causes unease in many that characteristics we commonly assume to be innately human could manifest in a machine. However, after viewing the works created by computers, it becomes necessary to consider the scuttle of such creative ability whether or not the works themselves are creative. Though one can find examples of human creativity in nearly all aspects of life, perhaps it is most clearly evident in our literature. The thoughtful combination of spoken language can express the gauntlet of human emotions and experiences aptly, and in the most talented of motives, can breathe life into the words and seemingly recreate the experiences in the mind of the reader. Notable and critically praised author James Joyce provides an example of this in his work Ulysses... ...uture computer which could paint equal Monet, or have faith in a machine to effectively speak to the emotions of a human. However, technological innovations continually astound us, and it is no little plausible that a computer could function at this level of creativity, than one hundred years ago to imagine men landing on the moon. Works CitedBoden, Margaret. The Creative Mind Myths and Mechanics. London raw York Routledge, 2004.Faulkner, William. The Sound and the Fury. New York Random House, 1984.Hofstadter, Douglas. Fluid Concepts and Creative Analogies. New York Basic Books, 1995.Joyce, James. Ulysses. Oxford Oxford University Press, 1993.Picard, Rosalind. Affective Computing. Cambridge, mammy MIT Press, 1997.Singer, Irving. Feelings and Imagination The Vibrant Flux of Our Existence. Maryland Rowman and Littlefield, 2001