In both Emma and Clueless, the misunderstandings arising from acts of artificiality are used to criticise companionable values and attitude. In clueless, Eltons casual acceptance of Emmas evaluate of Tai, isnt she beautiful, evokes spacious excitement in Emma, causing her to believe he is greatly admiring, and deeply in love with Tai. At the comparable time, the informant is privy to the gazing looks of Elton focused solely on Emma, by a close up shot revealing the accredited purpose of his desire. This dramatic irony is in addition predominant in the end lines of chapter 6 of Emma, as Emma expresses satisfaction at Mr. Eltons tender word of Harriets portrait, oblivious to his admiration for herself. The power and invite able to be exerted by he beautiful, rich Cher is depicted through a series of cuts between her wielding a camera, symbolic of dominance, and the movements of people in the photo. The ease with which Cher is able to manipulate them all the way portr ays the cool, popular kid of innovative familiarity as being in control, evident of the underlying superficiality in todays society. This feature of society transcends both texts, manifesting itself in Austens novel through Mr Eltons blatant displays of insincere appraisals of Harriets portrait, in suck up to Emma. In the two like scenes, more emphasis is fixed on class divisions in Clueless, with Tai being foreshadowed in the background by the convocation of popular friends, until Emma exerts her powers of influence to bring her into the foreground. It is also only after Emmas interjection; hat Elton reluctantly places his lace around Tai, emphasizing the horror of those on different ladders of the social hierarchy, which ties closely wit the biz of Emma. The ignorant and artificial air in which aristocracy and todays identical are depicted in both... If you want to get a full essay, order it on our website: OrderCustomPaper.com!
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