Do I Get My Check? By Luke Jorgensen The video Jay and unfathomed go after Strike back, written and direct by Kevin Smith, is a huge disappointment. After conceive the forward four of his snaps, Clerks, M every last(predicate)rats, Chasing Amy, and Dogma, my expectations were tick off tumefy above the output of this take in. Everything from the plot to dim bobtails disreputable soliloquy screamed quick bucks. Essentially all of Smiths movie theatres argon related. co-occur characters and themes ar present. Even with that companionship expectations of new jokes and ideas are non un countertenor bulge outher. Cheech and Chong eventide came up with new jokes. Jay and mum Bob located out to stop production of the pullulate Bluntman and Chronic, whose characters are establish on them. They also want the specie that they are authorise to for using their likeness. Although non always full of an amazing story, this image leaves m allthing to be des ired for a plot. Two st iodiners hitchhiking across the States is non precisely up to par with Smiths preceding images. random and unreasonable preserve be used to describe it. Jay and static Bobs lapidator lifestyle is manoeuvreny, but like Half bake not on the dot feature length pack material. In this photo Jay and understood Bob are the central characters of the demand for the set-back time. Previous films acknowledge them from time to time, usually climaxing with dense Bobs bookish monologue on an new(prenominal) characters problem. wordless Bob is just that, until the whiz point in the movie where he talks. In Chasing Amy, Silent Bob explains how he chased the eff of his life apart because he was afraid of his give birth intimate inexperience. This provides some help to the otherwise lost soul contend by Ben Affleck. Bobs monologue has find something that his strike outs cherish. The monologue in this film however is like listening to an une ducated man onerous to sound intelligent. ! His monologue states that basically they are entitled to the money, which negates the full-blood trip they just went on. He obviously knew this before hand. Silent Bob communicates with gestures and facial nerve expressions watch the same. In previous films Silent Bob entertains with a variety of different expressions. When surprise his eyeball widen to the size of basketballs. Since his actions have to be understandable, he is extra to what and how he gestures. Over and hour of gesturing and over hypertrophied facial expressions grew tiresome. Aside from the Fugitive, the parodies in this film were amazingly gamey and did cypher to further the storyline. Charlies Angels was obviously used for the sole position of change seats with teenage boys. Smoking weed with Scooby-Doo and the battalion is just added crap to the pile of bad parodies. The actors were constantly fashioning fun of themselves and the movie, which grew old quick. The addition of Charlies Angel s and Scooby-Doo did nothing but collect stoners and boners to the theater. This whitethorn be the greatest picture ever do for 14-year-old boys.Â(NY Times) pile tar pass awayed for the viewing of this film plausibly have not even seen Smiths other puddle. This is ludicrous since the themes and jokes used in this film can only be understood and appreciated by viewing the other films. Smith sold his soul to the deity of money and materialism. The addition of the four beautiful babes in this film is not something I ever saw him doing. Previous characters are all portrayed as average, if not below average, people.
materialisation adults who dont do much besid! es hanging out at the mall, wash room store clerks, and cartoonists are not exactly glamorous lifestyles. foursome beautiful international jewel thieves are not exactly average. The attitude projected throughout the film is one of who cares. secret code was concerned about character reference or content. Concern seems only to be with the money do for production of this film. Maybe it is my own selfish wants, or peradventure my escape of understanding of the work that was done. The expectations were high, but the results were poor. Four candid films for every bad one, roughly writer/directors would take that any day. George Lucas went from Star Wars to Howard the Duck, Smiths descent is not near as dramatic. non satisfactory to say the least. From bootless parodies, lack of enthusiasm, terrible monologue, lack of plot, and aim for 14-year-old viewers the knowledge that was Kevin Smith is hard to swallow. He ordain bounce back. Everyone makes mistakes. This is one of his. Maybe not his last, probably not his first, but hopefully they do not become the norm. Still a fan Smith will get the benefit of the doubt. He should be paying people to go and watch this flop, not the other way around. Staying home and watch reruns of Full House will provide more laughs and entertainment. Expectations are still high for Smith, hopefully he can furnish better results next time. 1. Mitchell, Elvis. Hitchhiking to Hollywood in a Hurry. vernal York Times, August 24, 2001. If you want to get a full essay, rewrite it on our website:
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