Shane Gladstone                                                         Film Criticism Component Two interrogation Is Friday the 13th Part 2 normal of the slasher movie chemical formula as laid appear by Vera Dika? first appearance After having read Vera Dikas school text Games of Terror (Dika, 1990) and watched the film in principal Friday the 13th Part 2 (Steve Miner, US 1980) it was clear to me from the outset that in that respect are parallels to be drawn between the two. end-to-end this raise it is my intention to re-evaluate Dikas theories in relation to the chosen text and roll in the hay to my own natural conclusions as to whether it qualifies as a upstanding example of the stalker musical genre or not. I leave alone do this ab initio by re-reading the text and picking out the sections of it that relate the strongest to scenes in the film, once these soak up been chosen I will then concentrate on these scenes and texts in peculiar(a) as examples of my methodology. I have done this by focal power orientate on the typical stalker clichés presented to the viewer in the spread scene and the general use of space and ambit throughout the narrative. The discussion of the typical stalker scene, setting, characterisation and temporary accumulation structure.
Friday the 13th Part 2 (Steve Miner, US 1981) opens with a lurking point of view shot of the killer (Jason Voorhees) watching the child of Alice (Adrienne King, heroine of the authorized movie Friday the 13th (S ean S Cunningham, US 1980) walk ascendant ! word alone in the rain while telling to himself a childrens song. This song (singin in the rain) signifies happiness and innocence, as a recurrence reaction to the song the soundtrack music playing in the desktop is dark, atmospheric and chilling. The setting in which they are fit(p) is suburban and typically American however... If you want to get a practiced essay, order it on our website:
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